George Woodman


George Woodman, circa 2014

Woodman, George. Paper Tilings by George Woodman. Dayton: Wright State University Galleries, 1982.

Princenthal, Nancy. George Woodman: The Camera Obscura Photographs. Kansas City: Grand Arts, 2004.

Frank, Edwin. Pitti Rivisitato. Florence: Centro Di, 1997.

Bagnai, Alessandro. Heroines. Florence: Galleria Alessandro Bagnai, 2013.

Paglia, Michael. George Woodman: Sensuality in a World of Reason. Boulder: Boulder Museum of Contemporary Art, 1998.

Berlind, Robert. George Woodman: Paintings 1960-2000. Omaha: Bemis Center for Contemporary Arts, 2006.

Woodman, George, and Iris Cushing. How a Picture Grows a World. Florence: Galleria Alessandro Bagnai, 2010.

Woodman, George, and Edwin Frank. The Further Adventures of Pinocchio. New York: Lo Specchio d’Arte, 2004.  

Woodman, George. Metaphysics is to Metaphor as Cartography is to Departure. Florence: Galleria Alessandro Bagnai, 2011.  

Woodman, George, and Max Kozloff. Museum Pieces: Photographs by George Woodman. New York: Lo Specchio d’Arte, 1996.

Butera, Virginia Fabbri.

Contemporary Screens. Washington, D.C.: National Gallery of Art, 1984.

Ewing, William.

The Body: Photoworks of the Human Form. London: Thames and Hudson, 1994: 384.

Eyemazing Susan.

Eyemazing: The New Collectible Art Photography. London: Thames & Hudson Ltd., 2013.

Franklin, Peter.

19 Americans: Emerging Artists. New York: Solomon Guggenheim Museum, 1981.

Goldin, Amy.

Patterning and Decoration. Miami: Museum of the American Foundation for the Arts, 1977.

Komanchy, Michael, and Virginia Butera.

The Folding Image. Washington, D.C.: National Gallery of Art, 1984.

Kuspit, Donald, and Melinda Wortz.

One + One. Boca Raton: Boca Raton Museum of Arts, 1984.

Perrault, John.

Partitions. Brooklyn: Department of Exhibitions, Pratt Institute, 1982.

Walt, Irene.

Art in Stations: the Detroit People Mover. Detroit: Wayne State University Press, 2004.

No items found.

Adamson, Glenn.

“Pattern Recognition: In the 1970s and ‘80s a bold group of American artists embraced vibrant color, ornament, and craft.” Art in America, Sep. 2019.

Ashbury, John.

“A Glorious Mess.” Newsweek, Mar. 1981.

Barreiro, Raul.

“Refelja en fotos recuerdo y dolor.” Reforma, 28 Apr. 1999.

Barsantini, Betty.

“George Woodman, Heroines.” TG Toscana Edizione delle 19.30, RAI TV, 1 Jan. 2013.

Binazzi, Lapo.

“Accordi di Colore e Amonie di Forme.” Keramikos (Feb. 1991): 58-61.

Bortolotti, Paola.

“Una Bi-Personale: George Woodman e Manfred Bishop.” Stamp Toscana, 22 Nov. 2012.

Braithwaite, Hunter.

“Behind the curtain, a lock of hair falling.” Artforum, Sep. 2011.

Budney, Jen.

“George Woodman at the Palazzo Pitti.” Art in America, Feb. 1998.

Bullock, Linda.

“Tile Art Reborn: People Mover Stop to Re-open at RenCen.” Detroit Free Press, 17 Nov. 2004.

Chandler, Mary Voelz.

“Work that Fits a Timeless Pattern.” Rocky Mountain News, 15 Mar. 1998.

Clurman, Irene.

“George Woodman.” Arts Magazine, Apr. 1982.

Collins, Betty.

“New Work: George Woodman.” Arts Magazine, May 1981.

Diez, Hector Leon.

“Imagio escenarios y realizo construcciones completas de una imagen a traves de la fotografia: George Woodman.” La Cronica, 28 Apr. 1999.

Eyemazing Susan, ed., and Clayton Maxwell.

“George Woodman.” Eyemazing 4 (2012).

Foran, Jack.

“George Woodman Photographs.” Artvoice, 14 Apr. 2016.

Glueck, Grace.

“The Screen Comes into Its Own.” New York Times, 19 Sep. 1982.

Glueck, Grace.

“Uptown, It’s Couples.” New York Times, 17 Feb. 1984.

Hagen, Charles.

“Art in Review.” New York Times, 27 Dec. 1991.

Krainak, Michael Joe.

“Visual Legacy: Bemis Center retrospective celebrates 40 years of Woodman paintings.” Omaha City Weekly, 7 Mar. 2007.

Lubell, Ellen.

“George Woodman: Watercolors.” Art in America, Summer 1981.

Martinez, Miriam Mabel.

“Otra manera de contemplar el tiempo: Cuando la vista no es suficiente.” Orgina, May 1999.

McKean, N.

“The Art of Living.” New York Magazine, 6 Apr. 1981.

Montanari, Laura.

“George Woodman, la fotografia come un lungo fiume di classicità.” La Republica, 23 Nov. 2012.

Rebora, Simone.

“La mise en abyme del corpo femminile.” Artribune, 14 Jan. 2013.

Sikes, Gini.

“Pattern and Place.” Metropolis, Oct. 1984: 17–19, 26.

Wildman, David.

“Betty, Charlie, Francesca, and George.” TimeOut Boston, 6 Dec. 2010.

“Fotosensible: Composiciones y dialogos de Woodman.” El Heraldo, 9 May 1999.

“Immagini da un altro Pitti.” La Repubblica, 8 July 1997.

“George Woodman, Heroines.” Wall Street International Magazine, 15 Jan. 2013.

“George Woodman: come la nostra arte ha influito sul lavoro di Francesca.” Maldetti Fotografi, 3 June 2014.

“A Closer Look.” The New York Art World, Feb. 1999.

“Italian Design: Florence.” Interni, May 1986.

“Some Photographs of Photographs.” The Ohio Review 60 (Jan. 2000): 65-97.

“Panello Artistico Progetto George Woodman.” Domus, Apr. 1989.

“Keramikbilder von George Woodman Im Theater von Denver (USA).” Mit Fliesen Leben, 1993: cover, 22-45.

“The Armory Group: 40 Years.” Denver: Mizel Center for the Arts and Culture, 2006.

“The Significance of Investing Industrial Profit into Fine Arts.” International Architectural Ceramic Conference. Gimhae: ClayArch Gimhae Museum, 2006.

“The Life of Things in the Eye and the Mind of Americans.” Through American Eyes: Two Centuries of American Art from the Huntington Museum of Art. Huntington: Huntington Museum of Art, 2003.

“Between Heaven and Earth.” The Paintings of Margaretta Gilboy. Philadelphia: The Philadelphia Art Alliance, 1999.

“The Art of Sydney Biddle.” Sydney Biddle: Some Paintings, Monotypes, Drawings, 1999.

“The Unknown Matisse by Hilary Spurling." The Readers Catalogue, 1999.

“Between Sculpture and Painting: The Art of Betty Woodman.” Fort Dodge: The Blanden Memorial Art Museum, 1999.

“Clare’s Language.” Incoming Tide: Works by Clare Chandler Forster. Minneapolis: Minnesota Center for Book Arts, 1998.

“Prints from Shark’s Inc.” Working Proof. Boulder: University of Colorado Art Galleries, 1996.

“Joy Walker.” Joy Walker Recent Paintings. New York: 55 Mercer Gallery, 1995.

Scott Chamberlin: Recent Sculptures. Boulder: Boulder Arts Center, 1995.

“Unified Perspective.” The Studio Potter 23.1 (Dec. 1994): 3.

“Ceramics and the Biography of Vision.” The Studio Potter 17.1 (Dec. 1988).

“Getting Your Word’s Worth.” The Village Voice, Dec. 1987.

“Sic Transit Gloria Storrs.” The Village Voice, Jan. 1987.

“Gulliver in the Garden.” The Village Voice, 3 Nov. 1986.

“Mimbres Only.” The Village Voice, 28 Jan. 1986.

“The Problem of Color in Ceramics.” The Studio Potter 14.2 (Jun. 1986).

“Why (Not) Ceramics?” New Art Examiner 13.1 (Sep. 1985).

“The Decorative Vessel.” Ceramic Echoes. Kansas City: Nelson Gallery, 1983.

“Ceramic Decoration and the Concept of Ceramics as a Decorative Art.” American Ceramics 1.1 (Winter 1982).