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L to R: Betty Woodman. “Bellagio drawing #15,” 1995. 59.5 x 74.5 inches. Terra sigilatta, graphite, wax on thai mulberry paper / Album of snapshots Betty took while a resident at the Bellagio Study Center, Italy / Betty Woodman. “Bellagio drawing #17,” 1995. 37 x 88 inches. Terra sigilatta, graphite, wax on thai mulberry paper / Installation view "Betty Woodman,” Stedelijk Museum, Amsterdam, 1996.
Betty Woodman. “Bellagio drawing #15,” 1995. 59.5 x 74.5 inches. Terra sigilatta, graphite, wax on thai mulberry paper.
Betty Woodman's residency at the Bellagio Study Center, Italy, 1995: From the Archives...

Betty Woodman’s month-long residency at the Bellagio Study Center in 1995 on a Rockefeller Foundation Fellowship provided her the time and space to begin a formally complex, mixed-media “drawing” practice which continued for the rest of her life, later influencing her iconic painted canvas and ceramic wall works.

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Betty Woodman's Sèvres porcelain, 1987: From the Archives…

In 1987, Betty Woodman began her work at the Manufacture nationale de Sèvres, as an artist invited by the French Ministry of Culture. Over the course of more than twenty years, she made a series of sculptural vases and cups and saucers in brilliantly decorated porcelain, later shown at the Palazzo Pitti in her adopted home city of Florence.

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George Woodman’s residency at Grand Arts in Kansas City, Missouri, 2004: From the Archives…

During his 2004 residency at Grand Arts in Kansas City, Missouri, George Woodman continued his work with one-of-a-kind, large-scale still life photographs, made using a camera obscura.

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