Press

Watch the “Alternate Stories: Francesca Woodman” panel event hosted by The Brooklyn Rail in conjunction with the exhibition closing tomorrow at Marian Goodman Gallery, New York. A conversation featuring Katarina Jerinic, Corey Keller, Lissa McClure, Elisabeth Sussman, and Lyle Rexer.

"Francesca Woodman: Alternate Stories" presents over forty photographs which focus on the varied thought processes, interests, and influences that inspired Woodman's work, many of which have never before been seen. The catalogue highlights previously unexplored relational contexts and includes a newly commissioned essay by critic and novelist Chris Kraus.

Read a review on "Francesca Woodman: Alternate Stories" by Justin Kamp in The Art Newspaper. The exhibition is currently on view through December 23.

Read a review on "Francesca Woodman: Alternate Stories" by Andrew Dickson in BBC Culture. The exhibition is currently on view through December 23.

Read a review on "Francesca Woodman: Alternate Stories" by Arthur Lubow in The New York Times. The exhibition is currently on view at Marian Goodman Gallery, New York through December 23.

Read about Francesca Woodman's work and new solo exhibition "Francesca Woodman: Alternate Stories" in a review by Johanna Fateman in 4Columns magazine. The exhibition is currently on view at Marian Goodman Gallery New York through December 23.

Read about the work of Francesca Woodman in the new issue of XIBT Magazine. Included are an interview with the Foundation's Executive Director Lissa McClure and Dr. Kostas Prapoglou and images of some of the vintage photographs currently on view in "Francesca Woodman: Alternate Stories" at Marian Goodman Gallery New York through December 23, 2021.

Our Executive Director Lissa McClure was recently in conversation with Brainard Carey on Yale Radio about Francesca Woodman’s upcoming solo exhibition “Francesca Woodman: Alternate Stories” at Marian Goodman Gallery, New York. They spoke about the inclusion of never-before-seen photographs and Woodman's own writings about her work, her compositional and conceptual grounding, and this exciting opportunity to view the work through new lenses.