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The Woodman Family Foundation was established by Betty Woodman (1930-2018) and George Woodman (1932-2017) during their lifetimes. Love of beauty was at the heart of their lives and art. In this spirit, the Foundation is dedicated to stewarding the artistic legacies of Betty, George, and their daughter, Francesca Woodman (1958-1981).

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Betty Woodman, collaborations with Joyce Kozloff and Cynthia Carlson: From the Archives...
In the early 1980s, as Betty Woodman moved into a New York City loft with her husband, George Woodman, and began to shift her functional practice towards ceramic sculpture, she became friends with many artists deeply involved with the Pattern and Decoration movement. She collaborated with two of them: Joyce Kozloff and Cynthia Carlson.‍ With Kozloff, Woodman made ceramic forms—whether cups and saucers, pitchers or trays—which Kozloff then decorated with rich patterns inspired by Islamic tiles and motifs. The resulting works, which dissolve the line between craft and art, were shown in exhibitions at Tibor de Nagy Gallery and the Queens Museum in 1981.
"Ideas in Antella," Antella, Italy: "Francesca Woodman: Alternate Stories," Marian Goodman Gallery New York
Francesca Woodman was deliberate about the photographs she made, frequently sketching in her journal and jotting down notes about her concepts and intentions. Here you can see the evolution of some specific “Ideas in Antella:” first as simple drawings, then translated from photographic negatives to a contact sheet, and finally as the pair of lush and mysterious gelatin silver prints now on view at Marian Goodman Gallery New York.
Francesca Woodman featured in 4Columns Magazine, November 12, 2021
Read about Francesca Woodman's work and new solo exhibition "Francesca Woodman: Alternate Stories" in a review by Johanna Fateman in 4Columns magazine. The exhibition is currently on view at Marian Goodman Gallery New York through December 23.
La Specola Museum, Florence, Italy: "Francesca Woodman: Alternate Stories,” Marian Goodman Gallery New York
Over the course of Francesca Woodman's solo exhibition "Francesca Woodman: Alternate Stories" at Marian Goodman Gallery New York, we’ll be sharing additional images and materials from Woodman’s archive which shed light on her process and elaborate on specific works currently on view.
A collaborative poem and picture tale by George Woodman and Edwin Frank, "The Further Adventures of Pinocchio," 2004: From the Archives...
Around 2003, George Woodman began incorporating a green wooden Pinocchio into the assemblages of toys, props and images he used to construct his photographs. Pinocchio is an iconic figure in Italian literature and culture, popularized by the classic children’s novel “The Adventures of Pinocchio,” written by Florentine author Carlo Collodi in the late 19th century. Woodman was interested in Pinocchio as the protagonist in his own picture stories.
Francesca Woodman featured in XIBT Magazine, November 2021
Read about the work of Francesca Woodman in the new issue of XIBT Magazine. Included are an interview with the Foundation's Executive Director Lissa McClure and Dr. Kostas Prapoglou and images of some of the vintage photographs currently on view in "Francesca Woodman: Alternate Stories" at Marian Goodman Gallery New York through December 23, 2021.
NOW OPEN "Francesca Woodman: Alternate Stories" at Marian Goodman Gallery, New York, November 2-December 23, 2021
This solo exhibition of vintage photographs by Francesca Woodman includes more than twenty previously unseen works and draws on the artist's writings about her practice in newly available archival material from the Foundation's holdings. The show presents thematic threads and groupings of images in relational contexts, offering a fresh perspective on Woodman's work.
Our archives intern Molly McBride Jacobson digs into unsorted family photographs from our archives: From the Archives...
The Woodman Family Foundation archives include boxes and boxes of family photographs, spanning the early days George and Betty spent in Albuquerque where they welcomed their son Charlie into the world; to their move to a modernist home in Boulder—the site of many birthday parties, pottery sales, impromptu installations of paintings and Francesca’s earliest experiments with “dress up;” until just a few years ago enjoying breakfast with their grandson Alexander in both New York and Antella.
Francesca Woodman on Yale Radio with Lissa McClure and Brainard Carey
Our Executive Director Lissa McClure was recently in conversation with Brainard Carey on Yale Radio about Francesca Woodman’s upcoming solo exhibition “Francesca Woodman: Alternate Stories” at Marian Goodman Gallery, New York. They spoke about the inclusion of never-before-seen photographs and Woodman's own writings about her work, her compositional and conceptual grounding, and this exciting opportunity to view the work through new lenses.
Betty Woodman in "The Flames: The Age of Ceramics" at Musee d'Art Moderne de Paris, Paris, France, October 15, 2021-February 6, 2022
"The Flames" takes a transhistorical approach to ceramics to assert the critical relationship of clay to both art and humankind. The exhibition combines ancient objects dating back to the Neolithic with those made by contemporary artists—including Betty Woodman—and everything in between.
George Woodman, "Untitled," c. 1970
Last week was an exciting one at the Woodman Family Foundation. Upon their long-awaited return to New York, we were treated to a room full of George Woodman’s paintings. And wow we were bowled over by how fresh and contemporary these paintings feel, despite the fact that they were made some 50 years ago. We were struck by the subtle and shifting interplay of color and pattern and the raw intelligence of George's approach, which are slowly revealed over the course of a lingering look. What a pleasure to see these ambitious and original works in person.
Betty Woodman's functional bronze sculptures: From the Archives...
On occasion, Betty Woodman translated her abiding interest in the subject of function into materials other than clay, always pushing the possibilities of a particular medium. In 1999, she began an ongoing collaboration with Fonderia Artistica Belfiore in Pietrasanta, Italy, an idea which came from a conversation with her longtime gallerist, Max Protetch and was in part inspired by fellow gallery artist Scott Burton’s sculptural furniture, as well as the formal Italian gardens she had spent decades exploring.